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An open love letter to ROCTOBER magazine

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An open love letter to Roctober editor Jake Austen:

 
Hi Jake.

Y’know, it’s too easy for me to say what I’ve been saying for more than 20 years – that Roctober is possibly the best zine ever published – so I won’t this time. Rather, I’ll say that Roctoberis an institution and essential for the preservation of “outsider”/obscure art, not just in America but around the world.
On a personal level, the zine – and, really, it’s a MAGAZINE, not a zine – has been a spirit guide for me during the past two decades, exposing me to the bizarre greatness of a wide range of performers including Sammy Davis Jr, Nardwuar the Human Serviette, Jobriath, Andre Williams, The Monks, Ernie Kovacs, Atom & His Package, Neil Hamburger and so many more.
If you want to sum up what Roctober is about, then #50 does it with both Jonathan Poletti’s very personal, slightly off-key investigative piece on the rise and fall of glam rocker Jobriath, followed by a feature on only-in-the-80s creation New Monkees and an interview with its drummer Dino Kovas. Considering I didn’t even know there WAS a New Monkees, this article was nothing short of a revelation.
As for #51, it’s the “Comedy and novelty records issue”, which again demonstrates what Roctober does best. While Tom Lehrer is a glaring omission, it’s still an extensive look at this oddball sub-genre of records.
Who knew I’d be sucked into reading features on obscure performers like “The Funky Tramp” Jimmy Lynch, a comedian who gained some notoriety for being the first artist to use “motherfucker” on a recording. Plus dancer Mr Lee and James Wesley Jackson. Country singer and rassler Sweet Daddy Siki, plus a review of Jimmy Walker’s autobiography, Dyn-O-Mite! Ood Times, Bad Times, which almost made me want to buy it.
And then Poletti resurfaces with a deeply subjective, extensively researched, ultimately flawed bio on the first sex-change patient Christine Jorgensen
Speaking of Poletti, his review on the new doco, Jobriath A.D., is deliciously bitchy. It’s as if he’s saying, “How dare someone produce a documentary on MY Jobriath – and come to a completely different conclusion than I did?” Hysterical. Jake, you summed up Mr Poletti perfectly when you wrote that he tells us more about himself than his subjects in his novella-length articles.
But I think what I love most about Roctober– beyond its quirky subject matter and sheer enthusiasm for those oft-overlooked, hidden gems in the world of entertainment – is that each issue leads me to expand my musical horizons.
My kids love wild music – eefing, punk, Wall of Voodoo – and I can’t wait to show them copies of Roctober when they’re older to fill their heads with more wonderful musical craziness and inspire them to explore their musical boundaries.
For all this I say, THANKS, JAKE. May Roctober continue to fascinate, educate and inspire me for another 50 issues.

Love,
Dann


Roctober #50, #51 (2012-13)
Roctober, 1507 E. 53rd St #617, Chicago, IL, 60615, USA; www.facebook.com/RoctoberMagazine [US$5, 148-152 x A4 pages, reading time: 2+ hours each]

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